太阳落在海面上景色Sunst Over The Sea_1887_乔治·英尼斯油画作品欣赏。 乔治·因尼斯接受哈德逊河学派的现实主义训练,在内战后慢慢地发展出一种极具表现力和独创性的方式,并转向具有启发性的非地形景观。在《海上落日》等后期作品中,英尼斯实现了色彩与表现力的统一,与客观现实相去甚远。这幅图像被分为两个部分:海洋和天空,在颜料的朦胧中呈现,模拟了自然界中空气、水和光的变化状态。海鸟乘着气流在前景的波涛之上,沐浴在一种诡异的光中,无疑为这位艺术家带来了精神上的启示,他是瑞典人信仰的狂热追随者。
Trained in the realistic conventions of the Hudson River school, George Inness slowly evolved a highly expressive and original manner after the Civil War and turned to suggestive, non topographical landscapes. In late works like Sunset over the Sea, Inness achieved a coloristic and expressive unity that stepped further away from objective reality. The image is divided into two registers, sea and sky, rendered in hazes of pigment that mimic the shifting state of air, water, and light in nature. Sea birds riding the currents of air above the waves in the foreground, which is bathed in an eerie light, undoubtedly bore a spiritual message for the artist, an ardent follower of the Swedenborgian faith.
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