蒙克莱尔新泽西的雾蒙蒙的早晨景色Hazy Morning Montclair New Jersey_1893_乔治·英尼斯油画作品欣赏。 自英内斯艺术成熟之初,他的绘画的外观、灵感和表现效果就常常被描述为诗意。随着时间的推移,他的绘画风格变得越来越具有启发性,随着他们的形式越来越广泛,他们与自然外观的相似性越来越不直接,他们的诗意内容似乎成正比增长,达到了他生命最后几年绘画中的最高和最纯粹的状态。在英尼斯死前一年,新泽西州蒙克莱尔的朦胧晨曦,是晚期诗意绘画之一。其风格的含蓄,所有的实体形式都变得模糊、腐蚀,并减少为一种普遍的蒸发物质,比自然中的物理形式更形而上学——“存在于物质世界所有事物中的微妙本质”,构成了“关于事实光秃细节的气氛”,这可以看作是我的逻辑发展和高潮。奈斯一生对精神意义、情感表达和建议的价值的信仰是:“你必须向我建议现实,你永远不能向我展示现实。”然而,奈斯却明确否认了诗意的含糊:“诗是现实的幻象……不是某种气体表现…通常被称为诗歌的,不过是一种押韵的智慧菜肴的叮当声。诗性不是通过回避任何事实或自然的真理而获得的,这些事实或自然的真理可以包含在一个和谐或真实的表象中。“内在的现实的诗性表象包含在与现实本身相同的自然事实中:颜色、距离、空气、空间,以及明暗对比。
Since the beginning of Inness's artistic maturity, the appearance, inspiration, and expressive effect of his paintings was most frequently described as poetic. And as, over time, the style of his paintings became increasingly more suggestive, as their form became broader and their resemblance's to natural appearance less and less direct, their poetic content seemed to grow in direct proportion, reaching its highest and purest state in paintings of the last few years of his life. Painted the year before Inness's death,Hazy Morning, Montclair, New Jersey is one of those late poetic paintings. The allusiveness of its style, with all solid form blurred, corroded, and reduced to a pervasive vaporous substance more metaphysical than physical in nature-"a subtle essence which exists in all things of the material world" that constitutes "an atmosphere about the bald detail of facts,"-could be regarded as a logical development and climax of Inness's lifelong belief in the value of spiritual meaning, emotional expression, and suggestion: "You must suggest to me reality-you can never show me reality." Inness, however, disclaimed poetic vagueness unequivocally: "Poetry is the vision of reality ... not some gaseous representation.... What is often called poetry is a mere jingle of rhyme-intellectual dish-water. The poetic quality is not obtained by eschewing any truths of fact or of Nature which can be included in a harmony or real representation." To Inness the poetic representation of reality consisted in the same facts of nature as reality itself: color, distance, air, space, and contrasts of light and dark.
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