参观工作室,拜访看望工作室情景Visit to the Studio_1891_阿尔弗雷德·埃米尔·利奥波德·史蒂文斯油画作品欣赏。
阿尔弗雷德·史蒂文斯是最早对欧洲人对日本艺术的迷恋做出反应的画家之一。他没有采用他们的风格模式,而是将自己收藏的日本物品融入自己的绘画装饰中。在这个工作室场景的右边是一个日本折叠屏幕,它是许多进入欧洲内部的面板的典型代表。
两位衣着考究的参观者正在欣赏史蒂文斯自己的一幅印象主义海景画,这幅画处于他职业生涯的进步边缘,显示出他对更传统的学术艺术的执着。
Alfred Stevens was one of the first painters to respond to the European fascination with the art of Japan. He did not adopt their stylistic modes but incorporated Japanese objects, often from his own collection, into the décor of his paintings. At the right of this studio scene is a Japanese folding screen typical of the many panels that found their way into European interiors.
The two well-dressed visitors are viewing one of Stevens' own impressionistic seascapes, a painting on the progressive edge of a career that manifested a lingering commitment to more traditional academic art.