舞会之后情景,又名信心After the Ball_1874,aka Confidence_阿尔弗雷德·埃米尔·利奥波德·史蒂文斯油画作品欣赏。
舞会之后这幅画,也被称为“信心”,是史蒂文斯处理安慰主题的几幅作品之一。正如他在19世纪70年代的其他作品一样,这封包含令人沮丧的消息的信中的轶事内容,让我们得以一窥巴黎时尚女性优雅内饰的生活。史蒂文斯的主题和他对当代服饰和装饰的细致关注,让人联想到17世纪的荷兰和佛兰德艺术;事实上,一位评论家称他为法国的杰勒德·特尔·博奇。
This painting, also known as "Confidence," is one of several by Stevens to treat the theme of consolation. As in his other works from the 1870s, here the anecdotal content of a letter containing distressing news asserts itself in a glimpse of the life of fashionable Parisian women in their elegant interiors. Stevens' subject matter and his meticulous attention to contemporary dress and decor elicited analogies to seventeenth-century Dutch and Flemish art; in fact, one critic called him the Gerard ter Borch of France.